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DOUG AITKEN/Now (#2 mirror)2011 at 303 Art Basel Miami 2011

DOUG AITKEN/Now (#2 mirror)2011 at 303 Art Basel Miami 2011

Leung Mee Ping/Mirror Boat

Leung Mee Ping/Mirror Boat

Kim Sooja /  To Breath : Respirar , Palacio de Cristal, Madrid 2006

Kim Sooja /  To Breath : Respirar , Palacio de Cristal, Madrid 2006

Keith Sonnier / Mirror Act 1969

Keith Sonnier / Mirror Act 1969

Diana Puntar
All Day I Dream About Sex 2007

Diana Puntar

All Day I Dream About Sex 2007

onesecondpersecond:

From the Mirrored Years exhibition?

onesecondpersecond:

From the Mirrored Years exhibition?

oxfordcoma:

jillsies:

Yayoi KusamaNarcissus garden (detail) 1966/2002Site-specific work (this one is at the QAG in Australia)

The Japanese artist Yayoi Kusama, born in 1929, has spent the last 20 years commuting between her large studio in the Tokyo suburbs and the psychiatric hospital that she chooses to call home.
in 1966, when, with the help of the Milanese artist Lucio Fontana, she presented “Narcissus Garden,” a rogue installation of 1,500 reflective metal balls. (At the time, Kusama, dressed in a kimono, hawked the balls herself for $2 a piece on the lawn in front of the Padiglione Italia in the Venice Biennale Giardini.) Another version of the same work is now in Milan and it still leaves you breathless, letting you see your image reflected endlessly on the spherical surfaces. The effect was even more dramatic at night, when the images were reflected not just on the balls but on the glass wall facing the garden behind them.

(via Flower Power | Kusama-rama, From Miami to Milan - The Moment Blog - NYTimes.com)

oxfordcoma:

jillsies:

Yayoi Kusama
Narcissus garden (detail) 1966/2002
Site-specific work (this one is at the QAG in Australia)

The Japanese artist Yayoi Kusama, born in 1929, has spent the last 20 years commuting between her large studio in the Tokyo suburbs and the psychiatric hospital that she chooses to call home.

in 1966, when, with the help of the Milanese artist Lucio Fontana, she presented “Narcissus Garden,” a rogue installation of 1,500 reflective metal balls. (At the time, Kusama, dressed in a kimono, hawked the balls herself for $2 a piece on the lawn in front of the Padiglione Italia in the Venice Biennale Giardini.) Another version of the same work is now in Milan and it still leaves you breathless, letting you see your image reflected endlessly on the spherical surfaces. The effect was even more dramatic at night, when the images were reflected not just on the balls but on the glass wall facing the garden behind them.

(via Flower Power | Kusama-rama, From Miami to Milan - The Moment Blog - NYTimes.com)

Tomas Saraceno

Tomas Saraceno

DOUG AITKEN/Now (#2 mirror)2011 at 303 Art Basel Miami 2011

DOUG AITKEN/Now (#2 mirror)2011 at 303 Art Basel Miami 2011

Leung Mee Ping/Mirror Boat

Leung Mee Ping/Mirror Boat

Cerith Wyn Evans

Cerith Wyn Evans

Kim Sooja /  To Breath : Respirar , Palacio de Cristal, Madrid 2006

Kim Sooja /  To Breath : Respirar , Palacio de Cristal, Madrid 2006

Keith Sonnier / Mirror Act 1969

Keith Sonnier / Mirror Act 1969

Diana Puntar
All Day I Dream About Sex 2007

Diana Puntar

All Day I Dream About Sex 2007

onesecondpersecond:

From the Mirrored Years exhibition?

onesecondpersecond:

From the Mirrored Years exhibition?

oxfordcoma:

jillsies:

Yayoi KusamaNarcissus garden (detail) 1966/2002Site-specific work (this one is at the QAG in Australia)

The Japanese artist Yayoi Kusama, born in 1929, has spent the last 20 years commuting between her large studio in the Tokyo suburbs and the psychiatric hospital that she chooses to call home.
in 1966, when, with the help of the Milanese artist Lucio Fontana, she presented “Narcissus Garden,” a rogue installation of 1,500 reflective metal balls. (At the time, Kusama, dressed in a kimono, hawked the balls herself for $2 a piece on the lawn in front of the Padiglione Italia in the Venice Biennale Giardini.) Another version of the same work is now in Milan and it still leaves you breathless, letting you see your image reflected endlessly on the spherical surfaces. The effect was even more dramatic at night, when the images were reflected not just on the balls but on the glass wall facing the garden behind them.

(via Flower Power | Kusama-rama, From Miami to Milan - The Moment Blog - NYTimes.com)

oxfordcoma:

jillsies:

Yayoi Kusama
Narcissus garden (detail) 1966/2002
Site-specific work (this one is at the QAG in Australia)

The Japanese artist Yayoi Kusama, born in 1929, has spent the last 20 years commuting between her large studio in the Tokyo suburbs and the psychiatric hospital that she chooses to call home.

in 1966, when, with the help of the Milanese artist Lucio Fontana, she presented “Narcissus Garden,” a rogue installation of 1,500 reflective metal balls. (At the time, Kusama, dressed in a kimono, hawked the balls herself for $2 a piece on the lawn in front of the Padiglione Italia in the Venice Biennale Giardini.) Another version of the same work is now in Milan and it still leaves you breathless, letting you see your image reflected endlessly on the spherical surfaces. The effect was even more dramatic at night, when the images were reflected not just on the balls but on the glass wall facing the garden behind them.

(via Flower Power | Kusama-rama, From Miami to Milan - The Moment Blog - NYTimes.com)

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